Shoes I Must Keep (RE-POST)

Do you remember my series of posts about organizing my shoe shelf and how it reminded me of revisions? If not you can read them here, here, here, here, and here. Anyway, this picture is the result. (Well, partial result. I couldn't get the whole shelf in the picture, but you get the idea.) Every single pair of shoes that I kept had to stay. They each served a purpose. This is how the scenes in our writing should be. Each one should serve a purpose. In The Fire in Fiction, Donald Maass discusses this at length and points out that authors often fail at this, especially in the middle parts of the book. It is drilled into our heads how important beginnings and endings are, so we tend to focus on these areas. But aren't our middles just as important? Maass gives us tips for making our middle scenes just as unforgettable as our beginnings and endings, and I'll be discussing this topic for the rest of the week. According to Maass, dialogue is a powerful tool during our middle scenes. It can help define the purpose of the scene; it can help build tension; and it can pump fire into otherwise forgettable scenes. Yes, it can do all of this, if it is strong and taut. So, how do we accomplish that? Well, Maass suggests stripping our dialogue down, and then pumping it back up. In other words, get rid of all incidental action and any unnecessary attributives. If the action doesn't tell the reader something, and the attributive isn't needed for clarification, it only bogs down the scene. Are your middle scenes as pumped up as your beginnings and endings, or could they use a little work? Have you tried tightening up the dialogue?